Rongzom Chokyi Zangpo

Rongzom Chokyi Zangpo

Rongzom Chökyi Zangpo (eleventh century) was an important translator and exegete of New Translation School literature and the first defender of the Old Translation School. His works, whether translations from Sanskrit, commentaries on canonical texts, or original compositions such as Entering the Way of the Great Vehicle, sit on both sides of the Old School/New School boundary. He is remarkable among Old School figures in that the majority of them confined their literary output to the esoteric traditions of their past, whereas Rongzom engaged extensively with the New School literature and philosophy. He is regarded as one of the two archetypal figures for the Nyingma by no less an authority than the nineteenth-century scholar and adept Ju Mipham.

Rongzom Chokyi Zangpo

Rongzom Chökyi Zangpo (eleventh century) was an important translator and exegete of New Translation School literature and the first defender of the Old Translation School. His works, whether translations from Sanskrit, commentaries on canonical texts, or original compositions such as Entering the Way of the Great Vehicle, sit on both sides of the Old School/New School boundary. He is remarkable among Old School figures in that the majority of them confined their literary output to the esoteric traditions of their past, whereas Rongzom engaged extensively with the New School literature and philosophy. He is regarded as one of the two archetypal figures for the Nyingma by no less an authority than the nineteenth-century scholar and adept Ju Mipham.

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GUIDES

Tibetan Masters of the 10th-11th Centuries

Tibetan Masters of the 10th-11th Centuries

During this period, there was an influx of new translations, teachers from India who formed the Kadam, Kagyu, and Sakya schools as well as some important Nyingma figures.

atisha image

Atiśa Dīpankara Śrījñāna (982–1054 CE)

11th century

The Indian master Atisha's importance to Tibetan Buddhism cannot be overstated.  He founded the Kadam school with his students which influenced all the lineages in Tibet.  Explore the many works by and about his here.

Ronzompa

Rongzom Chökyi Zangpo (1012–1088)

11th century

Rongzom Chökyi Zangpo (1012–1088)—also known as Rongzompa, Rongzom Mahapandita, Rongzom Chozang, and Dharmabhadra— is along with Longchenpa and Mipham Rinpoche, one of the pillars of the Nyingma tradition who systematized much of the philosophical principles of the school.

tilopa image

Tilopa (988-1068)

11th century

One of the great 84 Mahasiddhas and the root of much of the Kagyu tradition, explore ten books related to this great tantric master.

naropa

Naropa (1016-1100)

11th century

The famous student of Tilopa and guru to Marpa, explore the fascinating life and teachings of Naropa.

Marpa (1012-1096)

11th century

The student of Naropa as well as the guru to both Maitripa and Milarepa, Marpa was the Tibetan founder of the Kagyu tradition.

Milarepa (1040-1123)

10th-11th centuries

Tibet's "patron-saint" and yogi par excellence.  Beloved by all the schools, his life exemplifies the complete Buddhist path.

gampopa

Gampopa (born 1079)

11th century

The great Gampopa, aka Dakpo Lhaje, the physician from Lhaje, was a monk whose systemization of the Kagyu teachings form the root of the Drikung, Drukpa, and Karma branches of the Kagyu tradition.

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Rongzom Mahapandita: A Guide for Readers to Rongzompa

Rongzom Mahapandita: A Guide for Readers to the Great Rongzompa

We Tibetans have one crown ornament and two earrings. The crown ornament is Padmasambhava, and the two precious earrings are Milarepa and Rongzom Chenpo Chökyi Zangpo.

—Gö Lotsawa Chenpo Shonnu Pal, from The Blue Annals


Rongzom Chökyi Zangpo (1012–1088)—also known as Rongzompa, Rongzom Mahapandita, Rongzom Chozang, and Dharmabhadra— is along with Longchenpa and Mipham Rinpoche, one of the pillars of the Nyingma tradition who systematized much of the philosophical principles of the school.

A short biography is included in Cortland Dahl's Entrance to the Great Perfection:

Rongzom Chökyi Zangpo, also known as Rongzom Mahapandita, is widely regarded as one of the two greatest exponents of the unique views and practices of the Nyingma school. Along with Longchenpa, he is known as an “Omniscient One.” This rare title connotes both breadth of knowledge and depth of realization. His innate intelligence was so great, in fact, that Rongzom himself once remarked, “Since there is no teaching that I did not study, my learning is not insignificant. Yet, as I never needed to review the teachings I received more than once, neither is it great.

Rongzom was a contemporary of Atisha, Marpa Lotsawa, and many others who were instrumental in establishing new Buddhist lineages in the land of snows. He wrote extensively on a broad range of topics and demonstrated an unparalleled mastery of the Buddha’s teachings. The Indian scholars he interpreted often commented on his universal knowledge, encouraging him to write his own treatises. He was also praised by some of the greatest masters of the Sarma traditions, such as Atisha and Marpa. Echoing their sentiments, the great Gö Lotsawa wrote: “In the snowy land of Tibet, Rongzom remains unequalled as a scholar.” The greatest testament to Rongzom’s accomplishments, however, is the lasting influence he has had on the great thinkers of the Nyingma school. Mipam, perhaps the greatest Nyingma thinker of recent times, modeled his views on those of Rongzom and Longchenpa, a debt that he acknowledges repeatedly in his writings. Rongzom’s thousand-year-old legacy continues to exert a powerful influence on spirituality in Tibet.

Entrance to the Great Perfectionx1200h

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Essential Texts by Rongzompa

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Establishing Appearances as Divine: Rongzom Chokyi Zangpo on Reasoning, Madhyamaka, and Purity

By Rongzom Chokyi and Heidi I. Koppl

Establishing Appearances as Divine, a concise treatise by the eleventh-century Tibetan Buddhist philosopher Rongzom Chökyi Zangpo, sets out to prove the provocative point that everything that appears is actually deity manifest. Many books on Tibetan Buddhism address the important themes of mind training, compassion, and proper conduct, but this penetrating study and translation of Rongzom’s text goes beyond that in its aim to bring the reader face to face with his or her pure, divine nature.

This work is described in the present-day Nyingma tradition as a commentary on the Guhyagarbha Tantra. If one accepts this classification, it would lend further testimony to Rongzom’s general fondness for the Guhyagarbha teachings and his attempt to validate these teachings through the style of discourse usually associated with the classical dialectical approach. Considering that the initial thesis of Establishing Appearances as Divine follows almost verbatim that of Padmasambhava in his Garland of Views,  a treatise that itself is based on the Guhyagarbha, one may reasonably conclude that the traditional classification of Establishing Appearances as Divine as a text pertaining to the Mahāyoga class of Tantra is valid.

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Entering the Way of the Great Vehicle: Dzogchen as the Culmination of the Mahayana

By Rongzom Chokyi, translated and introduced by Dominic Sur

Rongzom Chökyi Zangpo wrote this treatise in the eleventh century during the renaissance of Buddhism in Tibet that was spurred by the influx of new translations of Indian Buddhist texts, tantras, and esoteric transmissions from India. For political and religious reasons, adherents of the “new schools” of Tibetan Buddhism fostered by these new translations cast the older tradition of lineages and transmissions as impure and decadent. Rongzompa composed the work translated here in order to clearly and definitively articulate how Dzogchen was very much in line with the wide variety of sutric and tantric teachings espoused by all the Tibetan schools. Using the kinds of philosophic and linguistic analyses favored by the new schools, he demonstrates that the Great Perfection is indeed the culmination and maturation of the Mahāyāna, the Great Vehicle.

There is an interesting note about Ronzom Mahapantida ability to commit teachings to memory only be hearing them a single time in Matthieu Ricard's account of Patrul Rinpoche, Enlightened Vagabond.

"When Rongzom Chökyi Zangpo was asked about the extent of his study of Buddhist scriptures, he answered, 'I can't say I studied extensively, since most of the texts I read only once. But I also can’t say that I didn’t study, since after reading them just once, I knew them almost by heart.”

Books Featuring Rongzom Chokyi Zangpo

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The Ruby Rosary Joyfully Accepted by Vidyadharas and Dakinis as the Ornament of a Necklace

By Thinley Norbu Rinpoche

The Ruby Rosary is Kyabje Thinley Norbu Rinpoche's explanation of The Pearl Necklace, a lineage prayer to the main figures in the Dudjom lineage.  Rongzompa was on of this series of enlightened masters.  This includes a dozen pages on this pillar of the Nyingma tradition, much of which is a translation of Mipham Rinpoche's account of his life.

The section concludes with:

In brief, this master was a peerless being who resided at the level of the truly great Noble Ones, and indeed his entire sacred life story of scholarship and realization is beyond the scope of ordinary minds. For the sake of ordinary beings, only the well-known and undisputed part of the sacred biography of this paṇḍita who unlocked the eight great treasures of sublime confidence is told here [by Mipham Rinpoche], based on the writings of Dorje Wangchuk, the layman of Yolchak, who was a direct disciple of the master. These writings are found in the great Gö Lotsawa’s Blue Annals, adorned with a few small extracts from the writings of [other] Tibetan scholars of the past.

Other Works that Include Rongzompa

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Jamgon Mipam: His Life and Teachings

By Jamgon Mipham and Douglas Duckworth

The great Mipham Rinpoche relied mainly on two giants in the Nyingma tradition: Longchenpa and Rongzompa.  The latter appears throughout this extraordinary work on Mipham.

Duckworth demonstrates many key features of Rongzompa's influence on Mipham:

  • The view of the Guhyagarbha Tantra
  • The association of “essential nature” (Tib. snying po, Skt. garbha) with the meaning of the Great Perfection.
  • Mipham appropriates Rongzom’s use of reason in what he calls the “valid cognition of pure vision”, which he uses to legitimate a view of appearances as divine (see Establishing Appearances as Divine above).
Cascading Waterfall
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A Cascading Waterfall of Nectar

By Thinley Norbu Rinpoche

Given Ronzompa's centrality in the Nyingma tradition and as a central figure in the Dudjom lineage, it is no surprise to see him, referred to as Omniscient [Kunkhyen] Rongzompa, throughout Kyabje Thinley Norbu Rinpoche's masterpiece here.

Ronzompa's words on eternalism and nihilism, alaya, the nature of deity, Buddhahood, the nature of emptiness, and much more.

In Rosary of the View Commentary (on the Guhyagarbha)by Great Omniscient Rongzom, it says:

If it is explained here, the nature of Vajra Kuntuzangpo
is the enlightened mind.
The nature of mind is enlightened, so it is vajra.
So therefore, from all to all, there are no phenomena
to abandon or throw away,
So it is always noble. That is why it is called Kuntuzangpo.

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The Ri-me Philosophy of Jamgon Kongtrul the Great: A Study of the Buddhist Lineages of Tibet

By Ringu Tulku

Ringu Tulku quotes Rongzompa's Points to Remember about the View at length when disussing how the higher and lower views relate to eachother.  Towards the  end of this several page section, Rongzompa explains,

All the Buddha’s teachings are of one taste and one way; nothing is excluded within the state of vast equality. For example, all the small streams flow into large rivers and then accompany the large rivers to flow into the ocean. Within the vast ocean, all the rivers have the same taste of salt. Similarly, all the small entrances of the lower yanas are small rivers of understanding personal selflessness, which wash away the dirt of the belief in substantial entities. They join the large rivers of the Mahayana sutras and all of them end up in the great ocean of Dzogpa Chenpo. There is not even a particle of dust that does not become of one taste with this great, vast equality.

Ringu Tulku also explains how their is a Rong Luk (tradition of ROngzompa) in explaining the Guhyagarbha tanta, stemming from his receiving the teachings from the lineages of Guru Rinpoche, Vairocana, and Vimalamitra.

Regarding the inner tantras, Rongzompa seven transmission lineages, ennumerating:

  1. Oral tradition or kama
  2. Earth terma
  3. Rediscovered terma
  4. Mind terma
  5. The Hearing Lineage
  6. The Pure Vision lineage
  7. Teachings recollected from past lives.
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Tara's Enlightened Activity: An Oral Commentary on The Twenty-one Praises to Tara

By Khenchen Palden Sherab and Khenpo Tsewang Dongyal

In their definitive work on the Twenty-one Taras, the Khenpo brothers discuss how Rongzompa was the first recorded source of Tara teachings that are still preserved in Tibet.  Rongzompa’s lineage was passed down in the Nyingma School and received by Jigme Lingpa in the eighteenth century. Jigme Lingpa revealed a famous terma on the wisdom dakini Yeshe Tsogyal. Its condensed title is Dechen Gyalmo, or “Queen of Great Bliss.” He taught that externally we practice on Yeshe Tsogyal as she is, but inwardly we practice on the Twenty-one Emanations of Tara.

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The Nature of Mind: The Dzogchen Instructions of Aro Yeshe Jungne

By Patrul Rinpoche, Khenchen Palden Sherab, and Khenpo Tsewang Dongyal

Rongzompa makes a brief appearance here when the Khenpo brothers discuss his role in the Aro tradition that is the focus of this book.

Two lineages sprang from the great master Aro Yeshe Jungne.  The first one began with these:

  1. Aro Yeshe Jungne
  2. Yazi Bonton of Kham
  3. Drulsha Gyalpo of Kharab
  4. Drumshig Sherab Monlam of Wu
  5. Chogro Sangkar of Tsam
  6. Rongzom Chokyi Zangpo

Rongzompa then incorporated the Aro teachings into the Nyingma kama. As a result, as the Nyingma kama flowed through the centuries into the present day, naturally the Aro teachings flowed with it.

Complete Nyingma 13
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The Complete Nyingma Tradition from Sutra to Tantra, Book 13: Philosophical Systems and Lines of Transmission

By Choying Tobden Dorje. tTranslated by Gyurme Dorje, with contributions by Lama Tharchin Rinpoche

Rongzompa makes a brief appearance here when Choying Tobden Dorje describes the transmission in Tibet of the Father Tantra cycle of Yamāri.

Rongzom ChoZang "attended upon Upālaśrīmitra [elsewhere identified as Upaya Shri Mitra] , and he translated the tantras of the Black [Slayer of Death] and Vajrabhairava and others, and also undertook their exegesis."

Additional Resources on Rongzompa

Lotsawa House has several important translations of Ronzompa's work including The Black Snake Discourse. lotswa house

The Treasury of Lives also has a profile of Rongzompa.

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Heidi Koppl on the Importance of Rongzom Mahapandita

Heidi KopplWe interviewed Heidi Koppl, author and translator of Establishing Appearances as Divine, about the importance of the great Nyingma scholar Rongzom Chökyi Zangpo's writings and the inspiration behind her work.

Shambhala Publications: What inspired you to take on this text?

Heidi Koppl: While I was living at my teacher Chökyi Nyima Rinpoche's monastery in the Kathmandu Valley in the early 1990s, Khenpo Chöga Rinpoche was teaching there, and I had the opportunity to attend some of his wonderful classes. This was the first time that I heard about Rongzom and his teachings on the unique Vajrayana view. As I began to study the works of Ju Mipham Rinpoche, I then noticed how he at crucial stages often refers precisely to Rongzom. So I quite quickly developed the wish to study Rongzom's writings myself.

Chökyi Nyima Rinpoche always stresses the importance of pure perception, explaining that all progress on the path of secret mantra depends on our ability to discover and maintain pure perception. During my graduate studies at the University of Copenhagen I therefore decided to concentrate on Rongzoms' works, and especially on this one short text that intrigued me tremendously. In Establishing Appearances as Divine Rongzom sets out to prove, through reasoning, the Vajrayana thesis that all appearances are pure and perfect. Was it really possible to do such a thing? Is it possible to establish a logical foundation for this all-important issue? I really wanted to find out.

Rongzom explains that when we are less disturbed by negative mental factors what appears to us is actually more true than otherwise. We then begin to get the sense that purity and divinity are something to be discovered rather than conjured, and with that can come a great deal of confidence and perspective in one's Vajrayana practice.

SP: How has it helped you in your practice? How is a text like this supposed to influence the mind of a practitioner?

HK: Merely studying and researching the topic of pure perception has helped me to understand just how deep this issue goes. Approaching an understanding of experience as intrinsically pure-in fact, divine-is not a process of cultivating a naïve perspective, and we are not trying to trick ourselves into believing something that actually isn't true. Experiencing the Vajrayana perspective has more to do with understanding the fundamental nature of things and appreciating the fact that everybody's basic nature is pure and perfect. In spite of our fleeting, cloud-like obscurations we can begin to understand this by just paying attention to the way the contents of our experience actually change depending on how we look at things. It's not just that our frame of mind influences the phenomena that appear to us so that, for example, things look better when we are not feeling very nervous or angry. Rongzom explains that when we are less disturbed by negative mental factors what appears to us is actually more true than otherwise. We then begin to get the sense that purity and divinity are something to be discovered rather than conjured, and with that can come a great deal of confidence and perspective in one's Vajrayana practice. The sun always shines, so to speak, even when we cannot see its light coming through the clouds. Merely understanding this can have a profound transformative effect on the way we look at, basically, everything. Both Mipham and Rongzom stress that purity and divinity have always been the case. It is not that we have to make things pure. Perfection is just the way things really are. Gaining certainty in this with the help of the logical arguments set forth by Rongzom can surely take your spiritual practice to another level.

SP: Rongzompa, as he is popularly called, is considered one of the most important figures in the systematization of Nyingma philosophy and practice.   How is he discussed and studied today, both in traditional lay and monastic contexts, in Asia and in academia in the West?

HK: Although Rongzom's works are extremely relevant to the study of Varjayana in general, he is mostly referred to in the Nyingma school of Tibetan Buddhism. And among Nyingma scholars Rongzom is often seen and discussed through a Mipham-lens. This is also something I discuss in the book. Sometimes what happens is that we just take a look at what Mipham has to say about Rongzom and then classifiy him accordingly. For instance, though he was of the Prasangika Madhyamaka school, when we look at his own extant works, we notice that Rongzom never refers to Candrakirti or his Madhyamaka. Though he is tremendously venerated, it seems that Rongzom is not very widely studied in modern Nyingma colleges. In academia, Orna Almogi has produced a large survey on Rongzom, but in general very few studies have emerged around him.

SP: What was his influence on later Nyingma writers, like Longchenpa and Mipham Rinpoche?

HK: Mipham Rinpoche himself mentions Rongzom as a central source of inspiration. And, for example, his development of pure vision as a cognitive tool, or as a pramāṇa, is clearly influenced by Rongzom.  To what degree Longchenpa was influenced by Rongzom is still a very open issue.

SP: There is so little of Rongzompa's work in English, yet almost every Nyingma lama has his collected works on their shelves.   Do you have plans to translate any more of his work into English?

HK: Yes, if my work schedule permits, I would very much like to continue translating Rongzom. I am intrigued by Rongzom's unconventional style of explaining important Vajrayana themes through reasoning. His fearless approach of taking up difficult topics that seem inaccessible to our logical intellect is for me a hallmark of his powerful scholarship. It would be a shame if his writings were not translated into English for a modern audience. It seems these days more important than ever to be able to also understand logically the depth and the subtle workings of the Vajrayana practices that we train in on a daily basis.

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Jamgon Mipham Rinpoche: A Reader's Guide

Related Reader's Guides

Guides to Nyingma Lineages: Dudjom Tersar | Longchen Nyingtig | Namcho & Palyul
Guides to Other Important Nyingma Figures: RongzompaLongchenpa | Jigme Lingpa | Patrul Rinpoche

Jamgön Mipham Rinpoche (1846-1912)

Mipham Rinpoche is a celebrated Nyingma scholar and practitioner. He is revered for being a prolific writer and for reinvigorating the Nyingma monastic university tradition with his commentaries on central Indian Buddhist texts including the Five Treaties of Maitreya, Chandrakirti's Introduction to the Middle Way, Shantarakshita's Adornment of the Middle Way, and his commentary on Shantideva's Wisdom Chapter. In addition, he is well known for his lengthly composition, The Epic of Gesar of Ling, which arose out of Tibet's oral tradition and is said to be equivalent to the Greek Iliad or the Odyssey. Lama Mipham was a student of the famed Nyingma master, Patrul Rinpoche, and was the principle teacher of Shechen Gyaltsap Rinpoche who went on to teach beloved teachers such as Dilgo Khyentse Rinpoche and Jamyang Khyentse Chökyi Lodrö.

Powerful in his striving and discernment,

A yogi [kusalī] of great learning and experience,

Who labored long in search of the deep meaning:

My great confederate, master Mipham...

-words of Lozang Rabsel from Lion of Speech: The Life of Mipham Rinpoche

Books On The Life of Mipham Rinpoche

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Lion of Speech
The Life of Mipham Rinpoche
By Dilgo Khyentse Rinpoche; translated by Padmakara Translation Group

Jamgön Mipham (1846–1912) is one of the great luminaries of Tibetan Buddhism in modern times. He has had a dominant and vitalizing influence on the Nyingma school in particular and, despite spending most of his life in retreat, is one of Tibet’s most prolific authors.

The first half of this volume comprises the first-ever English translation of the biography of Mipham Rinpoche written by Dilgo Khyentse Rinpoche.

In keeping with the identification of Mipham as an emanation of Manjushri, the lion of speech, the second half comprises a selection of Mipham’s writings, designed to give the reader an experience of Mipham’s eloquent speech and incisive thought. It includes both a new translation of The Lion’s Roar: A Comprehensive Discourse on the Buddha-Nature and A Lamp to Dispel the Dark, a teaching of the Great Perfection, as well as excerpts from previously published translations of his works on Madhyamaka and tantra.

$34.95 - Paperback

Jamgon Mipham
His Life and Teachings
By Douglas Duckworth with select translations of Mipham Rinpoche's work

Jamgön Mipam (1846–1912) is one of the most extraordinary figures in the history of Tibet. Monk, mystic, and brilliant philosopher, he shaped the trajectory of Tibetan Buddhism’s Nyingma school. This introduction provides a most concise entrée to this great luminary’s life and work. The first section gives a general context for understanding this remarkable individual who, though he spent the greater part of his life in solitary retreat, became one of the greatest scholars of his age. Part Two gives an overview of Mipam’s interpretation of Buddhism, examining his major themes, and devoting particular attention to his articulation of the Buddhist conception of emptiness. Part Three presents a representative sampling of Mipam’s writings.

Prominent Shedra (Monastic University) Texts with Commentary By Mipham Rinpoche

Texts from the Madhyamaka Tradition

Madhyamaka, or the Middle Way, is founded on the idea that all phenomena are empty of an inherent, unchanging, and permanent ‘nature.’ Nagarjuna, believed to be the first proponent of Madhyamaka, identified two aspects of truth: the relative, being the functional aspect of the phenomenal world, and the ultimate, which is beyond conventions and mental elaboration.

$32.95 - Paperback

Introduction to the Middle Way
Chandrakirti's Madhyamakavatara with Commentary by Ju Mipham
By Mipham; translated by Padmakara Translation Group

Introduction to the Middle Way presents an adventure into the heart of Buddhist wisdom through the Madhyamika, or "middle way," teachings, which are designed to take the ordinary intellect to the limit of its powers and then show that there is more.

This book includes a verse translation of the Madhyamakavatara by the renowned seventh-century Indian master Chandrakirti, an extremely influential text of Mahayana Buddhism, followed by an exhaustive logical explanation of its meaning by the modern Tibetan master Jamgön Mipham, composed approximately twelve centuries later. Chandrakirti's work is an introduction to the Madhyamika teachings of Nagarjuna, which are themselves a systematization of the Prajnaparamita, or "Perfection of Wisdom" literature, the sutras on the crucial but elusive concept of emptiness.

$39.95 - Paperback

The Adornment of the Middle Way
Shantarakshita's Madhyamakalankara with Commentary by Jamgon Mipham
By Mipham; translated by Padmakara Translation Group

In the Madhyamakalankara, Shantarakshita synthesized the views of Madhyamaka and Yogachara, the two great streams of Mahayana Buddhism. This was the last great philosophical development of Buddhist India.

In his brilliant and searching commentary, Mipham re-presented Shantarakshita to a world that had largely forgotten him, defending his position and showing how it should be understood in relation to the teaching of Chandrakirti. To do this, he subtly reassessed the Svatantrika-Prasangika distinction, thereby clarifying and rehabilitating Yogachara-Madhyamaka as a bridge whereby the highest philosophical view on the sutra level flows naturally into the view of tantra. Mipham’s commentary has with reason been described as one of the most profound examinations of Madhyamaka ever written.

$29.95 - Paperback

$39.95 - Hardcover

The Wisdom Chapter
Jamgön Mipham's Commentary on the Ninth Chapter of The Way of the Bodhisattva
By Mipham; translated by Padmakara Translation Group

Shāntideva’s guide to the training of a Bodhisattva is one of the most important and beloved texts in the Tibetan tradition. The ninth chapter, however, dealing with Madhyamaka, the Middle Way, the most profound wisdom view of Mahayana Buddhism, has always posed unique challenges to readers. This commentary by the great scholar Mipham Rinpoche presents in quite straightforward terms Shantideva’s exposition of emptiness, the essential foundation of all Buddhist doctrine, demonstrating that it is not only compatible with, but in fact crucial to, the correct understanding of other important Buddhist teachings such as karma, rebirth, and the practice of compassion. Mipham interprets Shāntideva according to the view of the Nyingma school, which in some respects was at variance with the religiously and politically dominant interpretation of the text in Tibet at that time. As a result, his commentary stirred up a furious debate. With the addition of a critique of Mipham Rinpoche’s view by a prominent scholar of the time, along with Mipham’s response, that debate is beautifully captured in this volume.

Mipham's Commentaries on the Five Treatises of Maitreya

These works are part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

$22.95 - Paperback

Middle Beyond Extremes
Maitreya's Madhyantavibhaga with Commentaries by Khenpo Shenga and Ju Mipham
By Mipham and Khenpo Shenga; translated by Dharmachakra Translation Committee

Middle Beyond Extremes contains a translation of the Buddhist masterpiece Distinguishing the Middle from Extremes. This famed text, often referred to by its Sanskrit title, Madhyantavibhaga, is part of a collection known as the Five Maitreya Teachings. Maitreya is held to have entrusted these profound and vast instructions to the master Asanga in the heavenly realm of Tusita.

Distinguishing the Middle from Extremes employs the principle of the three natures to explain the way things seem to be as well as the way they actually are. It is presented here alongside commentaries by two outstanding masters of Tibet’s nonsectarian Rimé movement, Khenpo Shenga and Ju Mipham.

Distinguishing Phenomena from Their Intrinsic Nature PB

$18.95 - Paperback

Distinguishing Phenomena from Their Intrinsic Nature
Maitreya's Dharmadharmatavibhanga with Commentaries by Khenpo Shenga and Ju Mipham
By Mipham and Khenpo Shenga; translated by Dharmachakra Translation Committee

The Buddhist masterpiece Distinguishing Phenomena from Their Intrinsic Nature, often referred to by its Sanskrit title, Dharmadharmatāvibhanga, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha's regent, is held to have entrusted these profound and vast instructions to the master Asanga in the heavenly realm of Tusita. By divesting the mind of confusion, the treatise explains, we see things as they actually are. This insight allows for the natural unfolding of compassion and wisdom. This volume includes commentaries by Khenpo Shenga and Ju Mipham, whose discussions illuminate the subtleties of the root text and provide valuable insight into the nature of reality and the process of awakening.

$69.95 - Hardcover

Ornament of the Great Vehicle Sutras
Maitreya's Mahayanasutralamkara with Commentaries by Khenpo Shenga and Ju Mipham
By Mipham and Khenpo Shenga; translated by Dharmachakra Translation Committee

The Buddhist masterpiece Ornament of the Great Vehicle Sūtras, often referred to by its Sanskrit title, Mahāyānasūtrālaṃkāra, is part of a collection known as the Five Maitreya Teachings, a set of philosophical works that have become classics of the Indian Buddhist tradition. Maitreya, the Buddha’s regent, is held to have entrusted these profound and vast instructions to the master Asaṅga in the heavenly realm of Tuṣita.

The Ornament provides a comprehensive description of the bodhisattva’s view, meditation, and enlightened activities. Bodhisattvas are beings who, out of vast love for all sentient beings, have dedicated themselves to the task of becoming fully awakened buddhas, capable of helping all beings in innumerable and vast ways to become enlightened themselves. To fully awaken requires practicing great generosity, patience, energy, discipline, concentration, and wisdom, and Maitreya’s text explains what these enlightened qualities are and how to develop them.

$24.95 - Paperback

Maitreya's Distinguishing Phenomena and Pure Being
By Mipham ; translated by Jim Scott

Distinguishing Phenomena and Pure Being was composed by Maitreya during the golden age of Indian Buddhism. Mipham's commentary supports Maitreya's text in a detailed analysis of how ordinary, confused consciousness can be transformed into wisdom. Easy-to-follow instructions guide the reader through the profound meditation that gradually brings about this transformation. This important and comprehensive work belongs on the bookshelf of any serious Buddhist practitioner—and indeed of anyone interested in realizing their full potential as a human being.

Listen to Dzongsar Khyentse Rinpoche teach on the Ornament of the Mahayana Sutras

Stephen Gethin from the Padmakara Translation Group discusses his translation of A Feast of the Nectar of the Supreme Vehicle, Mipham RInpoche's commentary on the Ornament of the Great Vehicle Sutras Mahayanasutralamkara.

$69.95 - Hardcover

A Feast of the Nectar of the Supreme Vehicle
An Explanation of the Ornament of the Mahayana Sutras
By Mipham; translated by Padmakara Translation Group

A monumental work and Indian Buddhist classic, the Ornament of the Mahāyāna Sūtras (Mahāyānasūtrālamkāra) is a precious resource for students wishing to study in-depth the philosophy and path of Mahāyāna Buddhism. This full translation and commentary outlines the importance of Mahāyāna, the centrality of bodhicitta or the mind of awakening, the path of becoming a bodhisattva, and how one can save beings from suffering through skillful means.

The Epic of Gesar of Ling

An interview with Sangye Khandro and Lama Chonam on the creation and relevance of this landmark translation of The Epic of Gesar.

The Epic of Gesar of Ling
Gesar's Magical Birth, Early Years, and Coronation as King
By Mipham Rinpoche; translated by Padmakara Translation Group

The epic of Gesar has been the national treasure of Tibet for almost a thousand years. An open canon of tales about a superhuman warrior-king, the epic is still a living oral tradition, included on UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. This book is a translation of the beginning portion of this enormous corpus that Mipham Rinpoche compiled.

Born in the pure lands the son of two wisdom deities, Gesar takes rebirth in the human realm in order to defeat the demon kings who had taken over the empires of Asia and to thus liberate the people from suffering. His jealous uncle Trothung proves to be the first major threat to this goal, but Gesar outwits him every time using magic. In the last chapters of the book, he and Trothung’s son face off in a high-tension horse race to decide who will win the throne of Ling and the hand of the coveted Princess Drugmo in marriage.

Gesar’s story is popularly read as an allegory, with Gesar representing the ideal of spiritual warriorship—that is, fearlessness in the face of obstacles on the path to enlightenment. Just as Gesar rides his flying steed, we too can ride the energy of our inherent dignity, confidence, and strength, subduing inner demons and claiming victory.

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Born in the pure lands the son of two wisdom deities, Gesar takes rebirth in the human realm in order to defeat the demon kings who had taken over the empires of Asia and to thus liberate the people from suffering. His jealous uncle Trothung proves to be the first major threat to this goal, but Gesar outwits him every time using magic. In the last chapters of the book, he and Trothung’s son face off in a high-tension horse race to decide who will win the throne of Ling and the hand of the coveted Princess Drugmo in marriage.

Book cover for The Taming of the Demons From the Epic of Gesar of Ling
 Ebook | Paperback

$39.95 - Paperback

This volume recounts stories of Gesar fending off demons and liberating his foes as an enlightened leader. While the first three volumes cover Gesar’s birth, youth, and rise to power, this volume recounts the martial victories and magical feats that made him a legendary figure in Tibet and beyond.

More Commentary By Mipham Rinpoche

A Garland of Views Audiobook
Read by Simon Callow

Garland of Views 3d Padmakara
 Ebook | Paperback

$22.95 - Hardcover

A Garland of Views
A Guide to View, Meditation, and Result in the Nine Vehicles
By Padmasambhava and Jamgon Mipham; translated by Padmakara Translation Group

A Garland of Views presents both a concise commentary by the eighth-century Indian Buddhist master Padmasambhava on a chapter from the Guhyagarbha Tantra on the different Buddhist and non-Buddhist philosophical views, including the Great Perfection (Dzogchen), and an explicative commentary on Padmasambhava’s text by the nineteenth-century scholar Jamgön Mipham (1846–1912).

Padmasambhava’s text is a core text of the Nyingma tradition because it provides the basis for the system of nine vehicles (three sutra vehicles and six tantra vehicles) that subsequently became the accepted way of classifying the different Buddhist paths in the Nyingma tradition.

Mipham’s commentary is the one most commonly used to explain Padmasambhava’s teaching. Mipham is well known for his prolific, lucid, and original writings on many subjects, including science, medicine, and philosophy, in addition to Tibetan Buddhist practice and theory.

More Books By Mipham Rinpoche

The Just King

$24.95 - Paperback

The Just King
The Tibetan Buddhist Classic on Leading an Ethical Life
By Mipham; translated by Jose Cabezon

Leadership. Power. Responsibility. From Sun Tzu to Plato to Machiavelli, sages east and west have advised kings and rulers on how to lead. Their motivations and techniques have varied, but one thing they have in common is that the relevance of their advice has reached far beyond the few individuals to whom they were originally addressing. Over the centuries, millions have read their works and continue to be inspired by their teachings.

The nineteenth-century Buddhist monk and luminary Jamgön Mipham’s letter to the king of Dergé, whose small kingdom straddled China and Tibet during a particularly turbulent period, is similar in the universality of its message. This work, however, is unique in that it stresses compassion, impartiality, self-control, and virtue as essential for long-lasting success—whether as a leader or an individual trying to live a meaningful life. Mipham’s historic contribution to ethics and governance, until now little studied outside of Buddhist circles, teaches us the importance of protecting life, implementing fair taxation, supporting environmental sustainability, aiding the poor, and safeguarding freedom of religion. Both present-day leaders and those they lead will find this classic work, finally available in English, profoundly illuminating on political, societal, and personal levels.

$24.95 - Paperback

Mo
Tibetan Divination System
By Mipham; translated by Jay Goldberg

The Tibetan divination system called "Mo" has been relied upon for centuries to give insight into the future turns of events, undertakings, and relationships. It is a clear and simple method involving two rolls of a die to reveal one of the thirty-six possible outcomes described in the text. This Mo, which obtains its power from Manjushri, was developed by the great master Jamgön Mipham from sacred texts expounded by the Buddha.

Dzogchen and Tantra

Dzogchen

Mipham Rinpoche's Beacon of Certainty, a very important text used by Nyingma monastic colleges, includes an in-depth treatment of Madhyamaka, tantra, and Dzogchen.

He also wrote a song expressing the view of Dzogchen which Thrangu Rinpoche uses to illustrate the unitty of the paprroaches of Dzogchen, Mahamudra and Madhyamaka in Harmony of Views: Three Songs by Ju Mipham, Changkya Rolpay Dorje, and Chögyam Trungpa.

Fundamental Mind , which also includes a sixteen-page biography of Mipham Rinpoche by Khetsun Sangpo Rinpoche, consists of the first volume of his trilogy called the Three Cycles of Fundamental Mind,  a Nyingma text on ultimate reality that emphasizes   the introduction of fundamental mind through a lama's instructions.

There are also a few selections contained in other books, including In Praise of Dharmadhatu by Nagarjuna with commentary by the Third Karmapa, Rangjung Dorje. This book contains a few selections by Mipham Rinpoche.   In the first, from his Exposition of the Madhyamakalamkara, he emphasizes the critical importance of directly connecting with the experience of Dzogchen by first gaining certainty in primordial purity-otherwise one ends up with a view that will get one nowhere.

In Straight from the Heart there is a short teaching which is a pith instruction on Mahamudra

In Dream Yoga and the Practice of Natural Light, Chapter 10 consists of a short Dzogchen text by Mipham Rinpoche on the nature of mind entitled The Quintessential Instructions of Mind: The Buddha No Farther Than One's Palm.

Tantra

Mipham Rinpoche's work on Tantra is also very extensive. His main work in English is his commentary on the Guhyagarbha Tantra, which is the essence of the eighteen Mahayoga tantras.   There are two translations of this: The Essence of Clear Light, which includes the Tibetan, and Luminous Essence.   For this text, it is really important that they be read by those who have received the initiation and have permission and guidance from a qualified teacher specifically for this text.   By all accounts, there is no point to read these without having completed the proper preparation.

In White Lotus: An Explanation of the Seven-Line Prayer to Guru Padmasambhava, he gives a detailed explanation of this foundational prayer, explaining to us how to understand it according to its many layers of meaning.

White Lotus

$18.95 - Paperback

Books With Selections by Mipham

Two other works include wonderful pieces by Mipham Rinpoche that we should mention. As mentioned above, he really reinvigorated the Nyingma tradition during a time when there were many critics who did not properly understand it. The Ri-me Philosophy of Jamgon Kongtrul the Great: A Study of the Buddhist Lineages of Tibet includes a scathing eight-page rebuttal of critics of the Nyingma tantras.

A short but extremely moving prayer by Mipham Rinpoche in praise to Yeshe Tsogyal called The Longing Melody on Faith  is included in Thinley Norbu Rinpoche's masterpiece on ngondro, or the preliminary practices, A Cascading Waterfall of Nectar.

Mipham Rinpoche also wrote a short text on the Treasure tradition entitled The Gem that Clears the Waters: An Investigation of Treasure Revealers, in which he presents a funny, honest look at the terma tradition.   This is included in Tibetan Treasure Literature.

Mipham Rinpoche is central to the curriculum at the vast Buddhist community of Larung Gar, founded by His Holiness Jigme Phuntsok Rinpoche.  It is therefore no surprise to find Mipham RInpoche's work throughout the 2021 release of Voices from Larung Gar: Shaping Tibetan Buddhism for the Twenty-First Century.  In particular, there is a translation of Mipham Rinpoche's Wangdu, Great Clouds of Blessings: The Prayer That Magnetizes All that Appears and All That Exists.   This is a practice that is credited for making Larung Gar the important center that it remains to this day.  Khenpo Sodargye provides a detailed explanation of this magnetizing practice over thirty pages, the benefits of which he describes as follows:

"By relying on the prayer, one gains, in the outer sense, the ability to benefit all living beings, while its inner effect offers one the ability to control discursive thoughts and thereby attain full control of the body and the mind."

Voices from Larung Gar

$24.95 - Paperback

By: Holly Gayley & Jamgon Mipham

In Ruby Rosary, Kyabje Thinley Norbu Rinpoche quotes Mipham Rinpoche at length - over eight pages, describing the life and impact of Rongzom Chokyi Zangpo (Rongzom Mahapandita).

"The teachings of the Early Translation school constituted the principal practice of the Great Rongzom. In particular, all the Secret Mantra teachings of the Early Translation school—the instructions given by Padmasambhava, Vimalamitra, Vairotsana, and others—were contained within and transmitted to Rongzompa. His main practice was the Nyingma teachings. He mastered the approach and accomplishment of Mātaraḥ, Yamarāja, and Vajrakīla, and with this power he subjugated all the gods and demons of the eight classes throughout Tibet, who offered him their life essence."

The Ruby Rosary

$39.95 - Hardcover

By: Thinley Norbu

Related Literature

On the Path to EnlightenmentThere are many other books where Mipham Rinpoche's work and influence is discussed.

Tibetan Literature: Studies in Genre refers to his contributions to the Gesar epic, his book on how to prepare colors, ink, and gold for thangka painting, as well as his vast contributions to philosophical literature.

The recently released anthology by Matthieu Richard, On the Path to Enlightenment, has four short pieces by Mipham Rinpoche.

The Buddhist Psychology of Awakening (to be published in 2019 by Shambhala) also contains an evaluation of his contribution to the understanding of Abhidharma.

Mipham Rinpoche Today

In his remarkable book Incarnation, Tulku Thondop Rinpoche says:

This great scholar and adept said, at the time of his passing, "After this life, I will never take rebirth in this mundane world. I will remain only in pure lands. However, because of the power of aspirations, it is natural that the display of my tulkus as the Noble Ones will appear as long as samsara remains. " When people urged him to live longer, he said, "I certainly will not live. I will not take rebirth either. I am going to Shambhala in the North. "

But his legacy is very much with us today, directly through his teachings and the many masters who continue to pass them on in the East and West.

Your Mind is Your Teacher

In Brilliant Moon, Dilgo Khyentse Rinpoche, who was one of the most influential teachers of our generation, talks about Mipham Rinpoche throughout, with over 170 references to him.

It is no surprise that Mipham Rinpoche's teachings continue to appear in the written and oral teachings of many contemporary teachers.   As one example in many, Khenpo Garwang's recently released Your Mind Is Your Teacher is a detailed instruction on contemplative or analytical meditation based on Mipham Rinpoche's Wheel of Analytical Meditation.

We look forward to seeing more and more of Mipham Rinpoche's material to be published in English in the coming years.

Additional Resources

lotswa houseSelect translations from Mipham can be found under the 'Mipham Rinpoche Series' on Lotsawa House

BDRCAnd for Tibetan readers, TBRC/BDRC of course provides downloadable pdfs of Mipham Rinpoche's works in Tibetan

More can be found on Longchenpa's live on Treasury of Lives

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Rongzompa's Establishing Appearances as Divine

In the Black Snake Discourse, Rongzom explains the differing approaches found within the Buddhist vehicles through the example of a black snake’s reflection appearing in water. This discussion illustrates well Rongzom’s critique of the Madhyamaka for failing to recognize the indivisibility of the two truths. Rongzom argues that the Madhyamikas claim that, although in reality the snake’s reflection is not substantially established and thus a mere illusion, it can nevertheless perform a relative function. Therefore, a Madhyamika will only dare to approach the snake’s reflection if he possesses a remedy or skillful means that can be applied against the illusory snake. In this way, Rongzom argues that, among the four types of existence (yod pa, bhava), the Madhyamikas do not accept ultimate existence (don dam par yod pa), yet they do believe in relative existence (kun rdzob tu yod pa) and imputed existence (btags su yod pa).

Rongzom explains that the view of the inseparability of the two truths begins to dawn with the tantras, yet it is only fully perfected in the Great Perfection. When an imaginary opponent inquires why the Madhyamaka does not set forth such a view of inseparability, Rongzom states that as long as one believes both truths to be true, one will never succeed in discarding the dualistic mindset. One could propose that ultimately the two truths are inseparable without giving up the idea that illusory phenomena exist on the relative level. Thus, even when attempting to establish dharmata as nondual, one would still retain a dualistic perspective. The person who falls into this trap, Rongzom continues, might argue that what exists by way of imputation is ultimately free from mental constructs and therefore similar to illusion, yet he will not assert the same on the relative level, for he cannot accept that phenomena should lack substantial efficacy even conventionally. Thus, even while examining the characteristics of substantial existence and concluding that indeed such existence is unestablished, one will still not have mentally discarded the two ontological modes. Rongzom illustrates his point by referring to appearances (snang ba): as long as one assumes that there is an appearance that can be taken as the subject (chos can, dharmin) or used as an illustration (mtshan gzhi, drstanta) in argument, and as long as one considers this property or illustration to be free from mental constructs (spros bral, nisprapañca) and thus mere illusion, one still conceptualizes the characteristics of appearances. Therefore, the view of great equality remains yet to be accomplished, for by identifying a particular appearance and then concluding that this indeed is beyond mental constructs, the appearance aspect (snang ba’I cha) and the empty aspect (stong pa’I cha) become temporarily separated.

These explanations on the Madhyamikas’ lack of realization of the inseparability of the two truths are very telling, for they specify that appearances’ aspect and their empty nature must be seen as inseparable for the view to qualify as great equality. Thus any objectification of the relative truth that specifies “authentic” (yang dag) relative principles would separate the two truths and prevent one from the sudden, full, and direct realization of the actual nature.

The view of equality is also explained as equality inseparable from purity. Let us consider a statement from Rongzom’s commentary to the Garland of Views as Oral Instructions: “The Madhyamikas are attached to the relative truth as being the experiential domain of impure characteristics.”

Here Rongzom not only objects to the Madhyamaka belief in an authentic relative truth and its view of the two truths as separate identities, but also to the view of the relative as impurity. This underscores Rongzom’s tantric perspective and his commitment to purity. Rongzom draws the dividing lines between Sutra and Mantra based on a) whether relative truth is reified as distinct from the ultimate, as in the case of Madhyamaka, and b) whether, on the relative level, appearances are perceived as purity (Mantra) or impurity (Sutra). Thus, for Rongzom, there is a clear connection between objectification of the relative and the view of impurity. For a tantrika like Rongzom, the Madhyamaka separation of ultimate and relative truths and the ensuing division of the relative into authentic and inauthentic aspects disparage the central esoteric notions of unity, equality, and purity. By setting forth an authentic relative and ascribing it a more genuine mode of existence than what is dismissed as the mistaken relative, one is blinded to the ultimate truth of great equality. Moreover, this equality is not realized, as the Madhyamikas would have it, by a negation of relative phenomena. The ultimate equality, the nature of all phenomena, is inseparable from relative appearances, the appearances of great purity. In conclusion, according to Rongzom’s tantric perspective, appearances are by nature pure and therefore need not be negated. As there is nothing to discard within their purity, everything remains as great equality. If phenomena were not universally pure they could not be equal, and unless everything is absolutely equal, one cannot establish the truth of purity.

Heidi I. Köppl has worked as a translator at the Ka-Nying Shedrub Ling Monastery in Nepal for more than a decade and has been a faculty member at the Kathmandu University Centre for Buddhist Studies since the Centre's inception. She is currently doing research for a doctorate degree in Buddhist Studies at the University of Lausanne.

Recent Books from the Nyingma Tradition

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